this episode:
The Cinecast is MOVING!?, Movie review extravaganzza (5 film reviews), DVD picks and tangents.
Unwrap the complete Show Notes by clicking on this link…
Show notes for Cinecast Episode #68
- Intro music: :00 - 3:15
- Opening remarks (Movie Club Podcast): :31 - 5:49
- Big Announcement: 5:50 - 15:20
- Beowulf: 15:21- 34:23
- Southland Tales: 34:23 - 48:33
- Lars and the Real Girl: 48:34 - 1:04:16
- No Country for Old Men: 1:04:17 - 1:42:50
- - - Gosford Park tangent/fight: 1:29:05 - 1:32:09
- Before the Devil Knows You’re Dead: 1:42:51 - 1:19:52
- DVD picks: 2:10:17 - 2:17:01
- Random thoughts: 2:17:02 - 2:22:12
- Closing remarks: 2:22:13 - 2:26:21
- Outro music: 2:18:20 - 2:27:26
Bumper Music by “CCR” and “GnR”
New Movie Club Podcast:

Check out our newest podcast with the guys from FilmJunk.com and Marina from MadAboutMovies.net. You can stream or download both episodes #1 and #2 RIGHT HERE.
This month we discuss:
Gimme Shelter
and
Duck You Sucker.
Be prepared! Next month we dig into:
Escape from New York
and
Last Man on Earth
The Big News:
Kurt and Andrew have joined forces with Jonathan from Cinema Fusion, John from FilmGrotto and Marina from MadAboutMovies to create the next evolution in Cinema Pleasure:
Come join us in the third row…
RowThree.com
Listen in for more details.
Movies we saw this week:
Beowulf:

Southland Tales:
Lars and the Real Girl:
No Country for Old Men:

Before the Devil Knows You’re Dead:
Andrew’s review (coming soon)
Kurt’s review
| Marissa Tomeii (age 43 and smokin!) | |
![]() |
![]() |
DVD Picks of the Week:
ANDREW - Rescue Dawn:
Andrew’s review
Kurt’s review

KURT - Silip:
Kurt’s review

or option B:
Nosferatu (masters of cinema edition)

Other Random Stuff:
- One brief mention again of the problems with American Gangster.
- Amending top 10 scaries moments from Cinecast Episode #66 to include the opening sequence with Dan Aykroyd in Twilight Zone: The Movie.
- Kurt’s poor parenting skills.
- KBT Screening possibilities.
Homework:
Stop by RowThree.com and join the fray! Feel free to plop right down in the third row with us and dive into movie discussion galore.
Comments or questions?
Leave comments by clicking on the comments below - you can even leave AUDIO comments!
feedback@moviepatron.com (general)
andrew@moviepatron.com
kurt@moviepatron.com
- - Kurt’s BLOG - this week’s screener: TBA









you know Kurt, I agree with you about Little Miss Sunshine, but I really didn’t feel that Lars was very manipulative.
I actually think that with that premise, and how easily it would be to fall into Farrelly Brothers or I Am Sam territory, that they had a very difficult task ahead of them making it, and with different casting decisions, holding onto certain scenes a little too long, even a different location, that the whole thing would have just collapsed. I didn’t get any lump in my throat, it just seemed a logical progression forward and right in line with the Six Feet Under style of writing.
The only minor thing I had to say negative against it was one scene with Patricia Clarkson, when she talks about what happened to Lars’ mother. The scene before it of him at the grave, and you see the dates, is enough. The pyschiatrist explanation was a little too “did you catch that?” for me.
About Beowulf Kurt - I enjoyed it for what it was (I saw it in 2D, by choice though (not into the whole 3D thing quite yet)) but apart from the gorgeously done and looking animation it doesn’t hold much else for me. The voice work is great (I agree both on the fact I HATE Hopkins too (except for in two things - The Elphant Man and The Silence of the Lambs) and that he was batshit in this film!). And also some of the action scenes, especially the dragon sequence - !WOW! - were stunning, but apart from that it just didn’t have all that much going for it. The story was so wafer thin you could see through it, it was about half an hour too long and after the scene with Grendel and the first encounter with the mother it sort of forgot it’s point and then just realised it had to address what it brought up towards the start before the closing credits. The more I think about it the more I, not “dislike” it but, like it less. You can read my review here
About Southland Tales Andrew - almost every reason you gave as a negative about the film is some of the reasons I believe I am going to really like or even love it. As a huge HUGE fan of Donnie Darko (it STILL remains my favourite film after Pulp Fiction) I will see ANYTHING Kelly makes in the rest of his career (even if Southland Tales is atrocious). I predict I am going to enjoy it just for it’s weirdness and randomness even if it has no point what so ever, whereas with DD it was still random and weird but you felt there was something there that made it mean something in it’s own way.
Hi guys
Good show. Two and a half hours just seemed to fly by.
Here’s how I’d grade the Coen Brothers’ movies:
Blood Simple: A
Raising Arizona: A
Miller’s Crossing: A
Barton Fink: not seen
The Hudsucker Proxy: C
Fargo: A
The Big Lebowski: B+
O Brother, Where Art Thou: B
The Man Who Wasn’t There: C+
Intolerable Cruelty: C
The Ladykillers: not seen
Here are my gradings for the other movies you referenced:
The Polar Express: C+
The Station Agent: A
Little Miss Sunshine: C-
Gosford Park: A
Donnie Darko: B+
Twilight Zone: The Movie: A-
And finally, movies I’ve just seen:
Half Nelson: B+
Zodiac: A
28 Weeks Later: B-
Transformers: D-
SnowL - I caught the dates too. I guess my biggest disappointment with Lars is just how darn facile the whole thing is. It’s like they shot their wad coming up with the concept and how to play it (straight) and then just sort of gave up any other edge the story could have had. I had higher hopes than a simple, “this will make you smile” movie.
Ross - I kinda agree with you on Southland Tales. The random surface survey of issues and concerns that plague western society told in an non-standard way is the attraction of Southland Tales. Expecting that going in, I expect to like it myself.
On Zodiac - I’m waiting for that directors cut DVD, but sad that it is only 7 minutes longer. For some reason if they made Zodiac 5 hours long I’d be just as engrossed!
You should really see Miller’s Crossing, it’s one of those great movies of the 1990s that did not get its due. (See also: Todd Haynes SAFE and Stanley Kubrick’s EYES WIDE SHUT). Barton Fink is a bloody masterpiece too.
Kurt, I actually think if they’d had tried to be quirkier or edgier, THAT would have felt contrived. I don’t care if something in the end can be described as ’sweet’ or ‘tame’, if it fits, it fits. If they’d have thrown in some dark turn at some point, I just don’t think it would have been the same movie, and I don’t think it would have worked.
You thought of LMS, but I thought of “Millions” after it was over, and the hard task that film had as well. In the end that movie is also ’sweet’ and is going for the lump in your throat, but if it had any darker aspirations than what was on screen, i dont think I’d have liked it nearly as much.
I guess I”m saying I dont want to see the “edgy” Lars and the Real Girl. I think it would sacrifice the characters they built. You said you were waiting for the ‘other side’ among the townspeople to turn on him (Edward Scissorhands style?)
I just got the feeling listening to the review you were equating this movie with say, “Powder”, and I think thats grossly unfair and inaccurate.
Hmmm, curiously, I really like Millions despite its hamfisted closing manipulative scene. Maybe it is the implied threat of violence to children that gives Millions its edge.
I just felt there was no actual conflict in Lars. I didn’t necessarily want Quirkier, I just didn’t want the whole affair to go damn smoothly.
Perhaps, the way I feel about this is similar to the nazgul in lord of the rings, and I’m talking about the book here, J.R.R. Tolkien spends pages and pages talking about how mean and vicious they are, constantly driving fear, constantly having them show up, but what do they really do over the entire novel? manage to injure the lead character when he was practically defenseless anyway, fly around and shriek a lot and are eventually killed by the girl and a hobbit.
In Lars, the film seems to want to say that Lars has a real issue here, and it may even be debilitating, yet at every turn it turns out to be not a problem, things all work out in the end and really there is little consequence to him fetishizing a sex doll in a conservative small town. May this is the point of the movie, these things are no big deal. Maybe I missed something fundamental here, but really the movie just felt to me like the filmmakers (not the actors! they are all great) were just going thru the motions here.
see, i didnt think an external conflict was needed at all, the conflict is all Lars vs Himself.
when a ’sweet’ movie like this has the community turn against him, thats when the Powder’s happen, and you end up with the cliched Jesus figure…
I mean, this movie could have been a “K-Pax” so easily. the wrong actor, the wrong director, having more score, different lighting, more caricaturized acting.
Well we are in agreement that K-PAX is awful. I didn’t expect the community in Lars to form a rabid mob or anything. I didn’t expect Lars to get down and dirty with the doll either. Yes, it’s a delicate line. But damn if the whole thing didn’t go off without a hitch. I’m not sure exactly what i was looking for in the movie, but I know that what I did get seemed a little too pat. I wasn’t sold, and I wasn’t moved like the movie dearly wanted.
Maybe it was all the cornball reaction shots on Bianca (artfully aranged every time). Maybe it was because the actors were so good and the characters so thin. I mean, I don’t really think that we ever actually get inside Lars head for anything, it’s all given thru exposition via Patricia Clarkson’s character. Now I loved Clarkson in the film she felt the most human for some reason even as her character was put in there at its most calculating to hand info to the audience. A smarter movie would have eliminated her character altogether.
At one point in the movie Bianca is up for some sort of municipal elected position, there was probably a joke or two that could have been capitalized, but the movie was waaaaay too much in love with the small town in the film…almost to the point of condescension in that the characters are all so damn accommodating. My folks are both from very rural small towns and well, they can be as judgmental and harsh as city folk. It just didn’t ring right for me that everyone was a softhearted saint looking out for sweet old Lars.
Now I wasn’t looking for a “run Forrest run” scene either. But something more. Something more. Er, I wish it was easy to articulate…but it isn’t.
to me the Bianca reaction shots that you mention start off as obvious cheap comedy, but as the movie progresses they just seemed so natural that i didnt notice.
I don’t think you were supposed to get inside Lars that much, this is clearly a fucked up guy that is allowed his quirk because everyone otherwise respected him so much. i didnt think everyone around him was a saint, but ultimately i think we’re supposed to get in THEIR heads more than we’re supposed to get in Lars. I mean, I watch thinking “yeah, sure, I’d put up with Lars and his toy if that were me.”
…and whether or not it was intended, I actually took from it this other level - that this small town of religious people accepted Lars’ delusion because it made them feel good too. it didnt matter if something was real, it mattered that it felt good to them. now thats subversive
i’m not saying it was entirely intended the way i saw it, but man, after watching an artfully made movie, the priests speech at the end where he’s giving Bianca’s eulogy - i did not take it at face value, and I really dont think it was intended as face value - it was ‘too pat to be pat’.
and by the way, i grew up in small towns too (in New Brunswick) and you’re right, they can be hars h and not very accomodating when confronted with something strange. my relatives are different versions of baptists and they all hate each other because of their minor differences..
…but with this story, i wasnt exactly looking for that realism - i didnt need to see someone attacking small town life. at the same time, i really dont feel the movie was some affirmation of small town life either - i just saw it as a suspension of disbelief issue for the sake of the story, which in a movie with a christian guy and a love doll seemed fine to me.
if i actually thought the small town aspect was there to try and teach us something about the way people do things in the sticks than in the city, i’d probably have hated it the same way I hated “Cars” - I thought a lot of “Junebug” watching “Lars…” - they’ll have their subtle potshots and even the more obvious ones, but the movie isnt specifically trying to lionize one way of life over another at all - they’re just characters in this specific situation and location and they deal with it.
[…] hope at least a few of you went over and heard the most recent Cinecast at Movie Patron. In the show Andrew talks about the brand new Row Three website. Row Three is project I mentioned […]
Great list. I have seen the trailers of Beowulf and it looks interesting and a good movie.
I should really track down Junebug, as I’m inevitably going to be dragged to the Amy Adam’s starring Enchanted with the wife and kiddies this weekend, I’d like to clense the palette with Junebug, but now I fear I’ll be reading it thru the lense of what I didn’t like with Lars.
Anyway, when Rowthree.com launches on Monday, one of the features on that site is something called “Extended Thoughts” which offers a post-review thoughts on the film, much of these are culled from the comments above and reformulated in an attempt to further get at which subconsciously irked me about Lars. I hope you enjoy reading that.
This blog is likely going to shut down and the conversation is going to be moved over there.
See you on the other side.
(posting while intoxicated)
looking forward to what will be brought to the table with rowthree.
anyways Junebug is a real treat - it took me way too long to finally get to see, its a really special film, especially for the sake of Amy Adams, who is seriously the cutest girl in the world.
I actually look forward to seeing “enchanted” whcih seems to have the “Galaxy Quest” vibe in droves and apparently critics are really supporting.
The thing about Lars and the Real Girl is that the sex doll exists only as a device to bring together Lars and his love interest (played by Keli Garner).
So you’re expected to invest emotionally with a doll only to have her dispatched for the convienence of the romantic plot.
He and Keli Garner get together at the end (spoiler) literally over her grave.
And I never bought that Keli Garner would fall for such an uncharismatic chump. He never “earned” it.
It’s too innocuous a film for me to hate but it really rubbed me the wrong way.
Cuter than the girl from THE MONSTER SQUAD?
Anyway, in the words of Penn Gilette - “ARE WE LIVE???!!?? YEA!!”
Everything is moving over to Row Three, including our first recording as “Row Three Cinecast” which will be up (hopefully) some time wednesday.